Crafting While Everyone Else Was Busy Saluting the Flag

A brief history of crafters annoying fascists by simply existing

Fascism loves:

  • uniforms

  • efficiency

  • obedience

  • sameness

  • straight lines

  • marching

Craft loves:

  • chaos

  • time

  • individuality

  • skill

  • “no actually this row is supposed to look like that”

So yes. Historically?
Crafters have been a problem.

Fascism: “Everyone Must Look the Same”

Crafters: “Anyway, here’s a weird regional stitch”

Authoritarian regimes always try to control culture.
Language. Clothes. Symbols. Hair. Art.

And then some woman in the corner is like:

Cool story, I’m still crocheting the pattern my grandmother taught me in 1912.

That alone is subversion.

Handcraft preserves:

  • regional identity

  • banned symbols

  • religious markers

  • cultural memory

All the things fascism wants neatly erased and replaced with ✨approved vibes✨.

“It’s Just Knitting / Crocheting” …Famous Last Words

During WWII, knitting circles weren’t just about socks.

They were:

  • information exchanges

  • supply networks

  • cover for organizing

  • occasionally coded communication systems

Turns out when the state assumes women are harmless little domestic creatures, those women get excellent operational freedom.

Whoops.

Textile Workers: Chronically Uncooperative Since Forever

Fascism hates labor unions.
Textile workers historically love unions.

Unfortunate matchup.

Women in spinning, weaving, and garment trades resisted by:

  • slowing production

  • “losing” materials

  • teaching skills off the books

  • refusing productivity quotas

Skill-sharing creates independence, and independence is poison to authoritarian control.

If you can make your own things, you are harder to own.

Fascism Wants Decorative Women. Crafting Produces Dangerous Ones.

Fascist ideology wants women:

  • silent

  • decorative

  • reproductive

  • replaceable

Craft requires women to be:

  • skilled

  • patient

  • resourceful

  • opinionated

  • extremely aware when something is wrong by one stitch

A woman who knows how things are constructed is much harder to gaslight.

Ask any pattern tester.

Craft Is Slow on Purpose (And That’s the Point)

Fascism worships speed and scale.
Craft says:

No ❤️

Handmade objects say:

  • this took time

  • this required knowledge

  • this wasn’t optimized

  • this wasn’t mass-produced

  • this wasn’t approved

Every stitch is a tiny refusal to become a cog.

Which is why authoritarian systems always try to industrialize, sanitize, or aestheticize craft until it stops being threatening.

Why Crafters Keep “Accidentally” Resisting

Because they’re underestimated.

Craft is coded as:

  • feminine

  • domestic

  • unserious

  • apolitical

Which historically means:

  • ignored

  • dismissed

  • left alone

And that’s exactly where culture survives.

The Real Threat Isn’t Protest Signs

It’s Memory With Hands

Fascism can survive anger.
It can survive violence.
It cannot survive people who remember how things were made before it showed up.

Craft carries:

  • memory

  • identity

  • continuity

  • skill that doesn’t need permission

Every handmade object quietly says:

I do not require the system to exist.

And that is deeply inconvenient for anyone who needs you standardized, obedient, and replaceable.

Final Huskyberry Take

Crafters don’t overthrow fascism by accident.

They do it by:

  • refusing uniformity

  • passing down skills

  • making themselves less dependent

  • and stubbornly continuing to exist in ways the system finds inefficient

Which, historically speaking, is exactly how you outlast it.

Also - if you still support what is happening in the US as of January 2026, we are not compatible - buh bye.

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On My Pattern Style (Ancient Crocheter Keeping It Simple-ish)

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Should I Buy This Pattern?(Or: Why We’re All Describing Elephants and Seeing Giraffes)